lp discography - covers & lyrics

If you don't believe it, just go out Interstate 65 to Exit 19, drive on through Brentwood, and between the shopping center and the country club you'll find an entire village of country houses. John D.Loudermilk's is the forty-eight, three bedroom brick on the right. Go on around back and knock on the kitchen door, 'cause nobody ever uses the front door in the country. Be careful not to step on the cat though. (You know how these country people are about their domesticated animals.) When John comes to the door, introduce yourself and shake hands. But when you do, make sure that you squeeze real tight. His Daddy told him that you could tell a lot about a man's character by his handshake. So try not to laugh, just hang on and grin, and look him straight in the eye when you talk and not at your shoes or his shirt button. Don't try to sell him any Fuller brushes, or a year's subscription to "Grit". He watches the ten-o'clock news like everybody else and, for God's sake, don't say ain't and you-all. He knows that sounds like hell as well as you do. State your business, go on in, sit down and make yourself at home, but take your hat off in the house...you know how superstitious country folk are. Talk about the weather, sports, flying saucers, anything but farming. If you ask him how's the crop doing, he'll tell you fine but they're about to drive the good wife out of her skull. (Their "crop" being three young sons...who are country boys, too.) If a wagon pulls up outside, don't look for the horse. He's under the hood with the rest of his 249 brothers. Loudermilk buys his hay at the Gulf station for 36 cents a gallon. He also gets his weekly supplies at the Kroger General Store conveniently located down the road about a country mile or two. Meet his wife, Gwen. She's country too. You can tell because her hair is long and straight and she talks slowly with a soft accent. She's shy and pretty and smiles a lot (Dule University, '56). If she asks you if you would like a drink, there's one little rule to remember in answering, if you're younger than she is, just "Yes thank you," will do. And don't expect moonshine Jack Daniels is a whole lot cheaper to buy than to make and it's not nearly as bad the next morning...despite the tax. Look around. His home pretty well represents how country people live nowadays. Running water in the kitchen (and two-and-a-half baths), incandescent electric lights (and heat and air conditioning), and, sure enough, a linoleum rug in the kitchen (wall-to-wall and seamless). Yea, these country people are a different breed all right. Notice what's lying over in front of the fireplace. Just what you'd expect to find in a sure-enough rural home. But wait, don't call it a hound, although it really is. The only difference is that, instead of being bred by hillbillies to hunt possum, this one was bred by Ethiopian Kings to hunt lions. And if that don't get it, look on the coffee table. The dead giveaway... an honest-to-goodness almanac. The old standby of the illiterate dirt farmer everywhere, especially in the South. But if you look close, you'll find that is is a nautical almanac and part of a celestial navigation course that John is studying at the present time. He hopes someday to sail his own sailboat (with his family as crew) around the world. It is amazing how backward these country people are. In a matter of hours you can fly around the world in a jet airplane and here this clod wants to do it in a sailboat. But, then again, country people are a different breed. Don't laugh at the old-timey furniture. It's not just something to do until they can afford some new Danish Modern. They actually like those old wingbacks and oriental rigs and even know the history and the background of almost every piece in the house. Be especially careful about calling the harpsichord in the living room that "old piano". It is old, around three-hundred years old, matter of fact, and considered by some to be an antique and worth having around. Country people are unfortunate is not having the opportunity to catch a first-run movie on Broadway at times, but don't feel sorry for them. They'll see it next week on TV anyhow. The A & P (with Kosher department) is down the road next to Shoney's and the car wash. And if the guest room won't hold the company, the Holiday Inn will. These country people have never been to Carnegie Hall, but they've got Red Seal albums that have. They couldn't fasten a halter around a mule's head, but you better believe they fasten their seat belts. Just like all country hicks, they're fairly suspicious, and why the hell not. (How many traveling-sales-men jokes have you heard where the traveling salesman gets the rough end of the bargain). So, they're leery of traveling salesmen. They even lock their house up at night, whether there's a burglar out there trying to break in or not. And if there is, there's usually a shot-gun in the closet that will take care of that. They hate taxes and at times swear the world is going straight to hell on a sled. They have an American flag in the yard and vote everytime they get a chance. They don't call potatoes "taters" and they know that "youse guys" is just as incorrect as "you-all." They know too much food will make you fat, too much booze will make you drunk, and that too many cigarettes will kill you deader 'n hell. They believe kids ought to be thanked when they do good, and spanked when they don't. They know tears are just as normal as laughter and they're not ashamed to do either in public if they feel like it. Why, these corny country hill people have been known to say family grace in a public restaurant. Yea, when you think about it, I guess country people are a different breed after all...especially nowadays.

- John D. Loudermilk -

JOHN D. LOUDERMILK

SUBURBAN ATTITUDES IN COUNTRY VERSE

RCA Victor LSP-3807
May/1967
Produced by Chet Atkins & Bob Ferguson
Cover John D. Loudermilk - vocal/guitar
Joe Tanner - el.guitar
Jerry Byrd - steel
Henry Strzelecki - bass
James Isbell - drums
Boyce Hawkins - organ
Recorded:
Oct 21/1963, RCA Victor Studio, Nashville (3)
Jan 13/1967, RCA Victor Studio, Nashville (4,11,12)
Feb/1967, RCA Victor Studio, Nashville

1.

BAHAMA MAMA

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
Bahama Mama from Nassau Town
You turn the sailor boys upside down
You make 'em foolish and you take their mon
But they all love you every single single one
Bahama mama mama mama mama

Bahama Mama when the tourists come
They wanna laugh and spend their Yankee mon'
They wanna hear you sing your lovin' songs
And drink the sweet sugar rum babies all night long
Bahama mama mama mama mama
Oh yeah oh yeah
Bahama mama mama mama mama

Big shot pile off his yacht
And in Bermudas and black stretch socks
And money belt neath his flowered shirt
He go give Bahama mama watch her swish her skirts
Bahama mama mama mama mama
Oh yeah oh yeah
Bahama mama mama mama mama

The fisher boy go out sunrise
And for the King Kong shell he dives
And in the evenin' he take his pay
And go get Bahama mama for to watch her sway
Bahama mama mama mama mama
Oh yeah oh yeah
Bahama mama mama mama mama
**********

2.

WHAT IS IT

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
What's this lull in our lovelive what's all this heartache
Why suddenly you turn from me leaving me blue
What's this pause the depresses what am I doing crying so
Is it something I've done that makes your heart run oh what is it hon

What is it what is it dont't you think I deserve to know
What's changing you so

What's this breeze that's freezin' me how did all these blues get in
Is the break I feel someone's mistake or is it real
What's my lips doin' trembling so are they trying to say don't go
Is it somebody new who's been gettin' to you oh what is it who

What is it what is it...
**********

3.

THEN YOU CAN TELL ME GOODBYE

(John D. Loudermilk)
« © '62 Acuff-Rose Music, BMI »
Kiss me each morning for a million years hold me each evening by your side
Tell me you love me for a million years
If it don't work out if it don't work out then you can tell me goodbye

Sweeten my coffee with a morning kiss soften my dreams with your sigh
And after you've loved me for a million years
If it don't work out if it don't work out then you can tell me goodbye

If you must go I won't grieve if you'll just wait a lifetime before you leave
But if you must go I won't say no but just so we can say we try
Tell me you love me for a million years
If it don't work out if it don't work out then you can tell me goodbye
Then you can tell me goodbye
**********

4.

BUBBLE PLEASE BREAK

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
You got a bubble that completely surrounds you
To keep the lovers from a gettin' around you
I ran into it when I thought that I'd find you
Oh bubble please break

I saw you standin' there so pretty and slender
Like a model in a store show window
But when I ran for you I ran right into
Oh bubble please break

Come on and let down your invisible shield
And let me show ya baby how I feel
Baby touch me and prove to me that you're really real

Come on and tell me baby that I'm your lover
And that you'll never ever love another
Come on out before you smother my lover
Oh bubble please break

Come on and let down your invisible shield...
Come on and tell me baby that I'm your lover...
**********

5.

WIND KNOWS THE TRUTH

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
Oh the cat wears his hat down over his ears
And the mouse his collar up high
And old mister owl bids you good day in pig Latin
And the man in the moon is eatin' green cheese
And washin' it down with clouds
And the rabbit and coon are playin' a tune on their fiddle

But the wind knows the wind knows the wind knows
The wind knows the truth

That the cat doesn't wear his hat that low
And the mouse his collar that high
And that old mister owl only speaks in Spanish
And the wind knows the man in the moon doesn't like
His cheese washed down with clouds
And the rabbit and coon play the bassoon not the fiddle

Yeah the wind knows the wind knows the wind knows
The wind knows the truth
**********

6.

JOEY STAYS WITH ME

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
You can have the house we own now here's my front door key
But you can't take little Joey away cause Joey stays with me

The station wagon you can take the boat and the water skis
Yeah you can have everything we own but Joey stays with me

If you must go I won't say no go on and have your way
But as you walk out don't you think about taking Joey cause Joey stays

Here's the bonds and the bank account stocks and policies
Now everything is in your name but Joey stays with me

Come on Joey come on with daddy now (meow)
Come on Joey come on baby let's go (meow meow meow)
**********

7.

YOU'RE UP TO YOUR SAME OLD TRICKS AGAIN

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
We meet for lunch you're an hour late
You hardly touch a thing on your plate
You wind your watch gotta meet a friend
You're up to your same old tricks again

I know I know I can feel it in your eyes
I know I know cause I felt it so many times

You say goodbye and off you go
Your hand was cold and trembling so
I watch you rush hmm to be with him
You're up to your same old tricks again
Uh you're up to your same old tricks again
**********

8.

YOU'RE TAKING MY BAG

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
You're stealin' me blind wreckin' my mind
You're makin' me blue blue as can be
You're taking my bag taking my bag away from me

You're tearin' me up you're puttin' me down
Won't even let me hang around
You're taking my bag taking my bag away from me

You're all I got in my sack
Come on baby come on and give you back
Come on home before I die I can't stand idle by

You're taking my bag
You're taking my bag away from me
Bye bye bag so long bag you're taking my bag
**********

9.

IT'S MY TIME

(John D. Loudermilk)
« © '67 Windward Side Music »
Gather round men you I grew up with
My old friends that I used scuff with
Need you round me at this time
You've all had your turn to cry and old friends stood closely by
Friends of mine stand by me it's my time

It's my time it's my time it's my time
It's my time to cry ah ah ah it's my time to cry oh oh oh
It's my time to cry uh uh uh it's my time

Gather round girls I used to to play house with
Come here girls I first kissed on the mouth with
I need your tender words so kind
You've all had your misty eyes but old friends stood by to dry
Friends of mine stand by me cause it's my time

It's my time it's my time it's my time
It's my time to cry ah ah ah it's my time to cry oh oh oh
It's my turn to cry yeah yeah yeah it's my time
**********

10.

THEY'RE TEARING AWAY THE OLD PLACE

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
They're tearing away the old place the old place where I grew up
They're tearing away the old place and building a parking lot
There goes my favorite maple my tree house and Tarzan swing
They're tearing away the old place with every board and brick
Oh how my poor heart pains

Oh the man that owns the land said we'd have to move
We had been written from him since I was going on two

Bulldozers in our gardens mother's flowers all gone
Daddy's favorite mantel somebody's taking home
Windows and doors they're loadin' I recognize each one
They're tearing away the old place
Each nail and shingle I love each single one
Each nail and shingle I love each single one
**********

11.

DO YOU

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
I hear your wrist watch tick and see the golden little hands
And almost hear them whisper you the time
And though I'm sittin' here next to ya
You look at me but you don't see me do ya

I see what you are looking at reflecting in your eyes
Why they even turn your twinkle upside down
And though I'm sittin' here next to ya
You look at me but you don't see me do ya

Oh how can you look right through me after
I've been so true to you or don't that matter

I can taste the smoke that passes between your lips
Oh if it all would only drift my way
But though I'm sittin' here next to ya
You just look at me but you don't see me now do ya
**********

12.

I CHOSE YOU

(John D. Loudermilk)
« © '67 Acuff-Rose Music, BMI »
I chose you not for the beauty of your spine
Nor for the laughter brought on by wine
But I chose you ah for your spirit's eager breath
That dares to slap the face of death that's why I chose you

I chose you not for your lovely lips that burn
And so innocently make mine yearn
But I chose you ah for your heart as big as the moon
As warm as the sun exactly at noon that's why I chose you

I chose you not for your perfumed swirling hair
That drives insane the windless air
But I chose you ah for your soul reaching tiptoe to God
But with your lacy roots deep in the sod that's why I chose you
**********
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