I have written and arranged all of these songs and take full responsibility for any errors in the narration. Hundreds of folk songs which describe places and events in any part of America could have been used in this album, but "Oh, Susanna" or "The Ballad of Jesse James" were before my time. In this album, I sing mainly about things I have heard of or things and places that I have seen. I have been in all 50 states, usually though on a schedule which prohibited explorations of my own. But occasionally a song seemed to be begging to be written about some of the things I did see, or do.
For example, The Whirl and the Suck was a real spot near Chattanooga. Until the 1930's, when a dam was built there making the Tennessee River deeper and the water wider, there was a sharp, narrow bend with high cliffs above. In the bend, there were whirlpools and suckholes, and the water was swift and deep. A small boat, raft or canoe didn't have a chance. In addition to the whirlpools and suckholes in the bend, the Nicajack Indians, a barbarous tribe of the Cherokee, rained down boulders from off the cliffs destroying the boats and rafts as well as all men, women and children. If anyone survived the rain of boulders and the suckholes, the Nicajack Indians would be waiting a little further downstream to slaughter the survivors in the most horrible way they could conceive.
When war was declared on the Nicajacks by the United States in the 1790's, they retreated to Nicajack Cave five miles away. The cave is awesome. The mouth is about 150 feet wide and 75 feet high. Experts have proven that the cave, with its thousands of side caverns, goes more than 40 miles. It is estimated that 10 million bats fly out every day at dusk. The air is clean and beautiful, and it was a half mile inside Nicajack Cave that I wrote The Whirl and the Suck. The particular spot was a high, flat place around a bend from outside light. Confederate soldiers had camped there, and one private had chiseled on the stone wall..... "To hell with Gen. Grant," (signed) "Pvt. __ 1862."
Along with The Statler Brothers, Mother Maybelle, Helen, Anita and June Carter, The Tennessee Three and myself performed our regular show for the inmates of Folsom Prison, California. After leaving the prison that day, I wrote the words to The Walls of a Prison. The melody was originally a British tune called "The Unfortunate Rake," written over a hundred years ago. The same tune was used. in the late 1890's for "Streets of Laredo."
Call Daddy From the Mine and The Masterpiece I wrote 10 years ago and forgot. I just recently found the two songs in some old files of mine. In selecting these songs, I sang them for June Carter, who is a pretty good judge of quality and originality. She asked me to record these two as well as a couple more that I had never meant to record.
To be alone, to meditate, to relax, I have explored many places where the white man never trod. Near Gallatin, Tennessee, I sat on the river bank eating a sandwich. The water was clear and on the bottom at my feet I saw dozens of flint arrowheads. I left with my pockets full of them. Two songs were finished that day, The Flint Arrowhead and Another Song to Sing.
Shrimpin'' Sailin'. A friend took me on a shrimp boat near Tarpon Springs, Florida. This trip eight miles out into the Gulf of Mexico was the most fascinating experience of my life. Going out, which took a couple of hours, Bill Riffle, who was at the stern, told me he only went for "bait" shrimp, which were sold to fishermen the next day. The ropes unwound, the nets dropped from each side after cutting his speed. The nets were down 20 minutes when Bill cut the throttle and hollered, "Let's bring 'em in." With his helper on one net and him on the other, I couldn't believe my eyes when they dumped the "catch" into bins to pick out only the shrimp and throw everything else back in. On top was grass, moss, seaweed. With an ice pick they started moving out the things that bite or sting. A fish called a robin, whose sting paralyzes, went first. Two Moray eels, whose bite is deadly, went next. Then dogfish that can bite a nail in two. A thing called a "potato" that is a mystery to all. It may be vegetable or it may be animal. It looks like a potato, but it pulsates and moves yet has no organs such as eyes, mouth, etc. There's the cowfish, Filer flounder, ladyfish, starfish and sea horse to name a few of at least 300 different things caught in the net. Oh yes, Bill and his "helpin'hiredhand man" got 8,500 shrimp that night.
From sea to sea the interstates bypass places like Cisco Clifton's Fillin' Station. Most people change with the times, growing with the wealth and culture we have. But I know people just like Cisco Clifton. Progress came too late, and since they are happy living free and simple, they'll keep the depot stove and play checkers.
The Frozen Four-Hundred-Pound Fair-to-Middlin' Cotton Picker. I was raised in cotton country. I chopped, p.lowed and picked it. To pick 300 pounds a day was good, but 400 pounds a day took a mighty good picker. Fair-to-Middlin is actually a grade of cotton to the buyers. The length of the fibers as well as their condition determine the grade of cotton as well as the price it will bring. My Dad still remembers the grades of cotton. Half-rotten dirty cotton would be graded "strict low middling"; a little better, "low middling"; average, "fair to middling"; excellent, "middling high"; etc.
You and Tennessee I wrote for someone in particular.
From Maine to California, from the Sleepy Hollow mountain country, from Stove Pipe Wells to Tarpon Springs. The land is big. Be proud it's free in FROM SEA TO SHINING SEA.
- Johnny Cash, 1968 -
JOHNNY CASH
FROM SEA TO SHINING SEA
Columbia CS-9447
January/1968
Produced by Don Law & Frank Jones
Carl Perkins, Luther Perkins - guitar
Bob Johnson - guitar/banjo/dobro
Norman Blake - dobro
Marshall Grant - bass
W.S. Holland - drums
Charlie McCoy - harmonica
Carter Family - vocals
Recorded:
March 1/1967, Columbia Recording Studio, Nashville (1,3-9,11,12)
Apr 13/1967, Columbia Recording Studio, Nashville (2,10)
1.
FROM SEA TO SHINING SEA
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
The beautiful spacious skies the amber waves of grain
To the majestic purple mountains above the fruited plain
God did shed his grace from sea to shining sea on you and on me
From the Sleepy Hollow mountain country to the swamps of Okefenokee
To Guthrie Oklahoma to Hibbing Minnesota
To Grants Pass Oregon to Stove Pipe Wells California
From Texas to Montana from California to Maine
In the sunny days the winter snow from Arizona sand
To Cherokee North Carolina to Tarpen Springs Florida
America it's time to be refreshed recall to memory
God did shed his grace on Thee from sea to shining sea
The land is big the best is free sand and surf grass and tree from sea to shining sea
(God shed his grace on Thee)
And crown Thy good with brotherhood from sea to shining sea
**********
2.
WHIRL AND THE SUCK
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
It took a mighty good man with salty hands
And a mighty long raft to keep the fore before the aft
You take ten good men and guts and luck
And you might navigate the whirl and the suck
Well the Tennessee River changed its mind
At Chattanooga she oughta unwind
She could a run right on to the Georgia Sea
But she cut right back through Tennessee
Well the settlers come by raft and boat
Bringin' ev'rything that'd stay a float
But like a loco hoss that'll twist and buck
They hardly ever made it through the whirl and the suck
It took a mighty good man with salty hands...
[ banjo ]
When General Washington was in his knicker bocks
The Cherokee Indian drew the Chattanooga Rocks
And the Chickamagua tribe and the Nickajack
They kept a watch where the river cut back
And if a raft or a boat ever rode the bend
The Injuns got 'em cause they had 'em hemmed in
It took a mighty good man with salty hands...
**********
3.
CALL DADDY FROM THE MINE
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
A little girl woke up deep in the dark and started cryin'
The mother brought a light and held her daughter tight
She thought it was so strange to hear a little girl of nine
Cry call daddy from the mine call daddy from the mine
[ guitar ]
The mother wiped the tears and said see honey you're only dreaming
Your dad must work today he has to draw his pay
She left her then but still could hear her cry time after time
Call daddy from the mine call daddy from the mine
Then the countryside was shaken by a mighty rumble
And feared for miles around was the trembling of the ground
The little girl was fast asleep yet cried out one more time
Call daddy from the mine call daddy from the mine
[ guitar ]
Ten thousand tears and two weeks later deep in the smoking ground
A dying man was found had survived all those around
He'd quickly crawled to a fresh air pocket barely just in time
When he heard his own child whine call daddy from the mine
Call daddy from the mine call daddy from the mine
**********
4.
FROZEN 400 POUND FAIR TO MIDDLIN' COTTON
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
I left the field one evenin' my fingers so cold and sore
From fair to middlin' cotton 300 pounds or more
Jim McCann was still pickin' straddle in his row
The sun began to sinkin' and the wind began to blow
He was bound to get 400 a draggin' a twelve foot sack
I hollered out Jim come weigh it but I only saw his back
So I went on home to supper and I gathered around my kin
I was thinkin' of Jim out there pickin' with winter settin' in
[ guitar ]
Next mornin' the air was freezin' the snow was nine feet deep
I jerked on my long red handles and I left my kids asleep
I got myself a shovel and went to where I seen Jim go
And commenced to a diggin' for him at the other end of his row
I found his body frozen and I took him in to thaw
I drug in his sack and I weighed it and I added Jim's marks that I saw
The total was over 400 so he picked more than he bet
Of fair to middlin' cotton but Jim ain't thawed out yet
**********
5.
WALLS OF A PRISON
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
It's not always the land that's the hardest and bitterest
It's the man who has the hard bitter attitude
Toward his fellow man or toward the land
Such is the case that you will find in this following song
About a man's attitude toward his fellow man and toward this land
[ guitar ]
I walked in the big yard to feel the warm sunshine
A ninety-nine year man stepped over to me
He offered a smoke and he said as I rolled it
Tomorrow I'm goin' to break out and go free
They watch us by sunlight they watch us by spotlight
But I know a way for a man to go free
Down under my cell I'm diggin' a tunnel
The walls of a prison will never hold me
[ guitar ]
I told him that I'd have no part of his scheming
My time would be over one year from today
His eyes blazed with fire and he looked right through me
Bitter but broken again he did say
They watch us by sunlight they watch us by spotlight...
[ guitar ]
Next morning at breakfast the old man was missing
Then we all heard the rifles high up on the wall
He'd gone through the tunnel just like he had promised
And they said he was cryin' when they saw him fall
They watch us by sunlight they watch us by spotlight...
**********
6.
MASTERPIECE
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
There was an ol' stone-cutter who lived in a cabin on the mountain side
And the ol' stone-cutter knew it won't be long before he died
And all around his cabin were statues the man had made
Statues that the buyers said were all of a mediocre grade
With his calloused hands he lit a lamp and lay down his head on his handmade table
And he softly whispered Lord I'm old and shaky and I'm hardly able
But give me strength and wisdom and give me a week at least
And I'll climb up to the top of this mountain and chisel out a masterpiece
The very next morning he felt new strenght
And he took his brand new hammer and a sharpest chisel
He began to climb the mountain his ol' feet slipping in the freezing dizzle
When he finally reached the top he shouted to a world that didn't hear
I'll carve my masterpiece out of this marble boulder here
So the hammer beat the chisel and he hammered till an image grew
Then he stopped to look it over to appraise his work when he was through
It was a boy carrying a crippled boy and the ole man said it isn't my masterpiece
I'll call it charity and then a masterpiece of mine will be
So the hammer beat the chisel til another image in the marble grew
Then the wind began to blowing and he sat and rested when he was through
It was the image of a mother holding her child
He said this is love as the world would know
But it isn't my masterpiece and he began again as it began to snow
The hammer beat the chisel as the snow fell harder and the wind grew and grew
He fell to his knees holding a stone and he threw down his hammer and his chisel too
He lay frozen face down in the snow but one hand was held for the world to see
Cut in the marble was his masterpice three neatly carved letters G O D
**********
7.
YOU AND TENNESSEE
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
Like a sweet rippling mountain stream
Goes the sound of the banjo on Cripple Creek
Never beginning never ending just rippling on and on
So does the land just ripple on and on
As a heart gets soft on a woman so can the heart get soft on the land
And to fall in love with a woman as well as the land is to surely be in love
[ guitar ]
I stayed away too long I know and ev'ry day was slow to go
Ev'ry night I dreamed I was here it's been a mighty lonely year
Ev'ry mile I needed you I kinda hope that you needed me too
Ev'rywhere I saw your face around ev'ry town I was in
This ole familiar place welcomed me again
Back to where I belong to be back to you and Tennessee
Back to you and Tennessee
[ guitar ]
Beside the Cumberland River where the grass is soft and sweet
We ran across the fields of cedar hiding from the noisy streets
And when the leaves fell from the cold
The stars were silver the moon was gold
I said it's yours with love from me
I'm planting my roots in this ground
And if they look for me I'll be found
With something that is part of me you and Tennessee
Back with you and Tennessee
**********
8.
ANOTHER SONG TO SING
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
Do they ask you where I am or where I've been
Do they ever say where is the lonely friend
Is my name whispered in your bedside prayers
Do you feel a vacant spot beside you there
Well there's always one more path that I must walk
And there's people I should sit down with and talk
And somebody might appreciate the flowers I could bring
So there's always another song to sing
[ dobro ]
Do you tell them I was wilder than the wind
Do you remember that I needed lots of friends
And at other times I'd rather be alone
Where I could not be found when I was gone
Well there's always one more canyon to explore
To touch the things left by those gone before
At the top of the tiniest hill I can feel like I'm a king
And there's always another song to sing
**********
9.
FLINT ARROWHEAD
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
While traveling this land from border to border and from sea to sea
There have been a few occasions to leave the beaten path and to find the peace
And quiet that's food for thought and just walking through a trackless forest
Or exploring ruins of the earliest settlers or walking along a creekbed
Hoping to find a relic such as a tomahawk an axe
Or even an arrowhead left by a race of long since vanished Indians
There's a great thrill and it's a wonderful feeling to find a flint arrowhead
[ guitar ]
Over fields of new turned sod and in communion with my God I walked alone
In a furrow bed I found an arrowhead chiseled from stone
I don't know how long ago some redman drew his bow on its last flight
Or did he drop it here afraid white men were near to attack at night
I do know this one thing beyond all questioning twas made to kill
And proof of a master trade is in this arrowhead he made fashioned with skill
That I inherited this ground is denied by this stone I've found but when and by who
Come join me in my tracks then let's stop and look back to the vale and through
In love and peace we'll see the shadows and the trees and voices too
But quietly slowly tread this home of the forgotten dead whose bones are dust
I'm proud that their craftsmen's skill survives the ages still left in my trust
**********
10.
CISCO CLIFTON'S FILLIN' STATION
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
Cisco Clifton had a fillin' station about a mile and a half from town
Most cars passed unless they were outta gas so Cisco was always around
Regular gas was all that he sold except tabacco matches and oil
Other than that he fixed lots of flats keepin' Cisco rough hands soiled
He'd wipe the glass and check the air and a hundred times a day
He patiently gave directions on how to get to the state highway
Usually he'd give 'em water or a tire or two some air
And once a big black Cadillac spent seven dollars there
He'd give anybody anything they'd ask and lend anything he had
His tools or tires bumperjacks or wire to the good ones or the bad
In wintertime there was a depot stove and a table for the checker game
And ev'ry mornin' at sunup the same checker players came
So Cisco Clifton's fillin' station was always in the red
Personal loans were personally gone but never a word was said
One mornin' at eight the checker players heard a big bulldozer roar like a freight
And Cisco said I hope my kids stay fed when they build that Interstate
He'd managed to pay for property where his little fillin' station sat
And friends still came for checker game so Cisco settled for that
He wouldn't say so but Cisco knew the Interstate was too much to fight
But to keep his will and to pay his bills he did odd jobs at night
He still opened up at sunrise and the checker game went on
The cars flew past on hightest gas and the neighbors had sold out and gone
If a car ever did go by he was lost and if they stopped they were treated the same
So at Cisco Clifton's fillin' station there's a howdy and a checker game
**********
11.
SHRIMPIN' SAILIN'
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
Turn on the speak it's the first time I get to talk on the speak cause you know okay
Darn those smart alec crazy cajon boy come in to my nice clean kitchens
And get into my pantry get my blackberry jim jams that I a pick blackberries
And make a jim jam in the winter time to take out on the shrimpin' boat
And bring in a foldin' wads of wonderous waddy for my little wienies
And they come in to my blackberry jim jam in the pantry and get 'em all over
The nice clean kitchen table cloth the smart alec cajon boy well play the music
[ harmonica ]
Well the Gulf it got a grassy bottom settin' where the rock is there
And that's where I've been goin' for the shrimpin' sailin'
Leapin' cross the grassy moss bringing in a briny bin
Makin' folds of wonderous waddy for the livin' that I'm lovin'
Where the creepin' crawlin' flippin' flappin' flobbin' dangle dobbin'
Sponge a fouler drag a miler more of course the ocean horse
[ harmonica ]
Well the Gulf it got a grassy bottom settin' where the rock is there
And that's where I've been goin' for the shrimpin' sailin'
Till it's time to haul 'em and come back in with the briny bin
Of soddy bodies dressed in dandy eatin' carmel candy
Makin' me and all my babies foldin' wads of wonderous waddy
For the livin' that I'm lovin' in between the shrimpin' sailin'
[ harmonica ]
Gulf it got a grassy bottom settin' where the rock is there
Leapin' cross the grassy moss bringin' in a briny bin
Makin' folds of wonderous waddy for the livin' that I'm lovin'
Where the creepin' crawlin' flippin' flappin' flobbin' dangle dobbin'
Sponge a fouler drag a miler more of course the ocean horse
Till it's time to holler haul 'em come back in with the briny bin
Soddy bodies dressin' dandy carmel candy eatin' chicken
Finger lickin' dancin' rance oh mance a tancin'
Makin' me and all my babies golden wads of wonderous waddy
**********
12.
FROM SEA TO SHINING SEA (FINALE)
(Johnny Cash)
« © '67 Anne Rachel Music, ASCAP / Song Of Cash Music, ASCAP »
Past Virginia down from Maine it's a rolling wide terrain
Three thousand miles of shore just like three thousand years before
Then the hills began to rise till they almost touch the skies
From the flat black delta land to the singing Kansas sands
Down from the desert heat I see keeping it ours forever free from sea to shining sea
(America America) God shed His grace on Thee
And crown Thy good with brotherhood from sea to shining sea
**********